Canadian Literature of World War One Conference


Thursday, July 31, 2014

3:30 pm to 5:30 pm 


5:30 pm to 6:45pm

Registration at Canadian War Museum in the Lobby near Atelier B


Reception at The Canadian War Museum

7:00 pm Tim Cook – Plenary, “Canada and the Commemoration of The Great War, 1918-2018” at The Canadian War Museum in the Lebreton

Friday, August 01, 2014


Concurrent 1
9:15 am to 10:30 am

Session A, Room 129, Simard Hall – Soldiers’ Letters and Memoirs – Chair David Staines

Melissa Davidson, University of Ottawa
The Great War as He Saw It: Understanding and Interpreting Canon F.G. Scott’s War Experience

Eva-Marie Kröller, University of British Columbia (Vancouver)
Reading and Wartime: The WWI Letters of T.F. McIlwraith

Jonathan Weier, Western University
The Romance of the Red Triangle: First World War YMCA Memoirs and the YMCA Worker Experience


Session B, Room 125, Simard Hall – Power of Imagery – Chair Walter Epp

Leon Surette, Western University (Emeritus) 
Painting War

Nanette Norris, Royal Military College Saint-Jean
WWI and the Image of the Crucified Soldier

Ruth Bradley-St-Cyr, University of Ottawa
A “Childish Sort” of Enemy: Images of Germans in Three Times and Out by Nellie McClung


10:30 am to 10:45 am Coffee Break 
Concurrent 2
10:45 am to 12:00 pm

Session A, Room 125, Simard Hall – Billy Bishop and Canadian Drama of WW1 – Chair Herb Wyile

Donna Coates, University of Calgary
“If God Had Meant Us to Be Heroic, He Wouldn’t Have Made Us Canadians”: The Antithetical Representation of Heroes in Stephen Massicotte’s Wedding and John Gray and Eric Peterson’s Bill Bishop Goes to War

Leanne Pupcheck, Queens University of Charlotte
One wing, one heart: Literature as ethnographic portal


Session B, Room 129, Simard Hall – Canadian Women and WW1 – Chair Lisa Grekul

Laura Robinson, Royal Military College of Canada
L.M. Montgomery’s Great War: The Home as Battleground in Rilla of Ingleside

Joel Baetz, Trent University
The Feminine Touch: Jessie Georgina Sime’s Canada Chaps and Other War Stories

Katja Thieme, University of British Columbia (Vancouver)
Francis Marion Beynon’s Ideal of Political Deliberation


12:00 pm to 1:15 pm Lunch on your own

Session A, Room 129, Simard Hall – WW1 in Fiction: Regionally and Historically – Chair Alexandra Pett

Martin Kuester, Philipps-Universität Marburg
Western Views of World War One: From Ralph Connor to Margaret Laurence, Robert Kroetsch and Jack Hodgins

Nick Milne, University of Ottawa
Humour in Hell: The First World War Writings of Stephen Leacock

Sierra Barreto, University of British Columbia (Okanagan)
Pain, Masculinity, and Illness in the work of D.H. Lawrence, Ford Madox Ford and L.M. Montgomery

2:30 pm to 2:45 pm Coffee Break
Concurrent 4
2:45 pm to 4:00 pm

Session A, Room 129, Simard Hall – Fiction 1 – Chair Susan Warwick

Neta Gordon, Brock University
The Complexity of Nostalgia in Atlantic-Canadian Literature about WWI

Zachary Abram, University of Ottawa
Merely Soldiers: Generals Die in Bed and the Rise of the Canadian Anti-War Novel

Herb Wyile, Acadia University
“Taking Vimy Ridge: Jane Urquhart’s The Stone Carvers and Canada as ‘Warrior Nation’”


Session B, Room 125, Simard Hall – Journalism – Chair Peter Webb

David Gallant, University of Calgary
Death Grapple“: Canadian Newspaper Articles, Editorials, and Poems on the Outbreak of the First World War, 1914

Debbie Marshall, Independent
Firing Lines: Three Canadian Women Write the First World War

William Stewart, Independent Researcher
“VC Trampled to Death”: Canadian Repatriation Riots 1919, British Press Coverage, and the Canadian Response


5:00 pm Dinner on your own
7:00 pm Margaret MacMillan Plenary, “The Great War in Literature” at the Canadian War Museum in the Lebreton

Saturday, August 02, 2014


Concurrent 5
9:15 am to 10:30 am

Session A, Room 129, Simard Hall – Literary Writing of Soldiers – Chair Anderson Araujo

Rosina Martucci, University of Salerno
Charles Yale Harrison and Wilfred Owen: a writer and a poet in the trenches of the First World War

Thomas Hodd,Université de Moncton
The Evolution of a Storyteller: Will R. Bird’s Writings on the Great War in The Legionary Magazine

Walter Epp, Lakehead University
“Rhymes of a Red Cross Man”: The War Poetry of Robert W. Service


Session B, Room 125, Simard Hall – Fiction 2 – Chair Susan Birkwood

Karin Ikas, University of Duisburg-Essen
Female Resilience in the Canadian Conflict Zone of the First World War: Jane Urquhart’s The Stone Carvers

Peter Webb, Bishop’s University and Champlain College
The Other Harrison: Charles Yale Harrison in the Postwar Era

Lisa Grekul, University of British Columbia (Okanagan)
Novel Interventions: Narrating Canada’s First World War Internment Operations into Public Memory


10:30 am to 10:45 am Coffee Break 
 Concurrent 6
10:45 am to 12:00 pm

Session A, Room 129, Simard Hall – Problems in Poetry – Chair Nanette Norris

Nancy Holmes, University of British Columbia (Okanagan)
The Pied Piper and the Olympic Torch: L. M. Montgomery’s Response to John McCrae’s ‘In Flanders Fields’

Anderson Araujo, University of British Columbia (Okanagan)
‘Bravo, Canada boys!’: Pope, Pound, Owen, and the Politics of Pro Patria Mori

Joseph LaBine, University of Windsor
Grotesque Gedicthe and The Industrialized Hinterland: Forgotten Poets and Expressions of Hybridity in World War I Poetics


Session B, Room 125, Simard Hall – Legacies – Chair Michael Hurley

James Clark, York University
The war to haunt all wars: Canada, Afghanistan and World War One

Susan Warwick, York University
“Fault Lines: Contested Commemoration in Michael Crummey’s Galore and Gordon Rodgers’s A Settlement of Memory

Nathan Greenfield, Independent
The Exculpatory Pen

12:00 pm to 1:15 pm Lunch on your own
Concurrent 7
1:15 pm to 2:30 pm

Session A, Room 129, Simard Hall – Timothy Findley and Joseph Boyden – Chair Laura Robinson

Katherine Andrews, University of Ottawa
“A Shout of Recognition”: The Active Process of Memory in Timothy Findley’s The Wars

Susan Birkwood, Carleton University
The “Wretched Animals,” the “Humble Beasts”: Timothy Findley’s The Wars and Joseph Boyden’s Three Day Road.

Michael Hurley, Royal Military College of Canada
Violence, Trauma, and Rehabilitation: Joseph Boyden’s Three Day Road and Through Black Spruce as Gothic Descent-Ascent Narratives


Session B, Room 125, Simard Hall – Trauma – Chair Joel Baetz

Margaret Steffler, Trent University
“Keep the Words Close”: Embracing Language in Frances Itani’s Deafening

Alexandra Pett, University Canada West
Returning from the Land Called War: Multidirectional Trauma and Deafening

Anna Branach-Kallas, Nicolaus Copernicus University
For the sin of staying alive: The Great War, Trauma, and Survivor Guilt in Contemporary Canadian Fiction and Drama


3:30 pm  Frances Itani – Plenary, “An Abyss of Awareness: A Novelists Writing about the Wars” at University of Ottawa, Simard Hall, room 129
Dinner on your own





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